By 2008, Persistent Repetition of Phrases saw the Caretaker alias gaining critical attention and a larger fanbase. The project first explored memory loss in Theoretically Pure Anterograde Amnesia (2005), a three-hour-long album portraying the disease of the same name. His first records featured the ambient style that would be prominent in his last releases. Kirby drew influence from the haunted- ballroom scene of filmmaker Stanley Kubrick's work The Shining (1980), as heard on the debut release of the alias, Selected Memories from the Haunted Ballroom (1999). In 1999, English electronic musician Leyland Kirby adopted the pseudonym the Caretaker, whose work sampled big band records. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a controversial mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.īackground Al Bowlly, a big band artist sampled on Everywhere at the End of Time Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.Īs each stage was released, the series received increasingly positive reviews from critics its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all he spent more time producing it than any of his other releases. To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. Although the first three stages are similar to An Empty Bliss, the last three depart from Kirby's earlier ambient works. The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. Released between 20, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby.
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